Danger is Not My Middle Name #3

The first thing I feel is some kind of nail being stuck into my temples. The pain is razor sharp, like a cleaver. The next sensation: I feel myself being rocked gently back and forth. Am I in a cradle? I try to re-construct the last few moments.

Stand by bar, hat at rakish angle. Check.
Undress a hundred women with my bedroom eyes. Check.
Watch the subject like a hawk. Ummm…check.
Follow the subject into the night. Check? Check?

I don’t remember anything after walking through the doorway – just this enormous explosion of light in my head. Did I walk into a door…again? Did an astroidette come down from outer space and smack me? Was it one of those damn undead bloodsucking orchids? I thought they were an urban myth.
Something cool is pressed to my forehead. It feels good and it seems to draw the pain out of my head. I try to open my eyes, but they won’t cooperate, so the end result is me wiggling my eyebrows like Groucho Marx.

“Are you awake then?” It is a businesslike female voice.

“Unnnngh,” I respond. It’s the best I can do. My words get lost somewhere inside the fog in my brain.

“You took a nasty blow to the head,” says the voice. Is it English? Irish? I did very poorly at accent identification at the Ray Hunker Correspondence School of Detection, incorrectly identifying a female German prison guard as a rich Italian heiress.

I try to open my eyes, but wind up only wiggling my eyebrows. Again.

“That looks ridiculous,” she says.

“Unnnngh,” I say again.

“You just watch your tongue, mister Diamond.”

I feel fingers picking at my eyes and my instinct is to bat them away. But my hands still haven’t quite caught up with my brain and they simply flap around like birds on a strange street drug.

She, for I am now reasonably certain it is a she, slaps my hands away and pries my eyelids open. Something crusty that you don’t need to know anything more about, falls to the ground and I am looking into soft green eyes, framed in a purely female face direct from some heavenly cloud. My heart does a happy double beat.

“We may not have much time,” she says. “You are on board the Grand Princess cruise liner.”

“Unnnngh?” I ask.

“Oh. Good question. I brought you here. As for as anyone else is concerned, we are lovers, sharing stateroom C327. Stop leering like that. It’s disgusting.”

“Unnnngh?” I ask

“Me? I am Jennifer Jonas. Your…client hired me to follow you in case something like this happened. I told them you have a sleeping disorder – that you can conk at any second. Now that I think of it, you’ll have to remember to do drop to the ground in a dead sleep at least once or twice…preferably in the buffet line or a crowded theater.”

“Unnnngh?”

“No. I didn’t see who hit you. When I came upon, you were already down, lying in a pool of your own vomit.”

“Unnnngh?”

“Oh for heaven’s sake. It’s just an expression. ‘Came upon’ simply means ‘saw.’”

“Unnnnghhh?”

“I am a private dick. Like you. Only much better.”

“Unnnngh?”
“I worked in a dentist office for three years. I understand you perfectly. Now go to sleep. You’ve had a concussion. Rest.”

There’s a matter of fact nurse vibe happening here that I am finding very sort of…never mind. I close my eyes and drift off.

The next morning my girlfriend and I (a thing which excites me tremendously because I have never had an actual girlfriend, although I once held hands with Nancy Antel in a darkened theater for three full minutes because she thought I was someone else) go up to the Horizon buffet for breakfast because our subject does.

We watch him and he has no idea. We’re pros. We are the wind. Breaking.
We are sitting beside another couple. They have the cabin next to ours. He is a dazzlingly handsome man who is looking with patient tired eyes at a drop dead gorgeous woman. Her attention is fixed on a laptop screen.

“It’s still fifty freaking cents a minute,” he says.

“I know,” she responds. “But this is flickr.”

The man spreads his hands wide in a “so what” gesture.

Interested as I am in this discussion, I have to leave. Our subject moves outside to the deck chairs.

I nod once to Jennifer and follow him, taking the chair just a few down from him. I make a show of stretching and laying my towel out…looking around me as I slip off my shirt and suck in my stomach. Once seated, I nonchalantly snap a shot of my feet with my camera – so I look like any other tourist. It’s touches like that that make me a pro.

I have no idea that in five minutes, someone is going to die.

Danger is Not My Middle Name #2

Fort Lauderdale is full of old people. Fat ones, thin ones. Most of them wear bright track suits – though you only ever see them shuffling. They never jog. The men lean on canes or walkers, looking like slightly confused lizards while their wives take care of the hotel arrangements. Being a trained observer, I see that the men don’t talk much, and when they do, their mouths are usually full of food – with is just gross. I also noticed the women can’t seem to shut up. They all talk at the same time in strident tones guaranteed to make my head ache.

Ain’t that just like a dame? I think to myself with a sardonic grin.

I am leaning with my best devil-may-care abandon against a bar. My fedora is on my head, like I was born wearing it. My trench coat is grey. One hand rests in my pocket. People are probably wondering if I have a gun in there. Nah. Just my tootsie roll.

I look like a private dick because that’s what I am. Like I said: secrets are my business. I am a proud dick. I am a good dick…so good I just heard you snicker. Spooky, huh?

I am standing in the Airport Ramada. I have just finished a half pound cheeseburger and as I study my quarry, I am trying to burp through my nose so as not to attract unwanted attention. Since the burger had onions in it, this is making my eyes water. I am pretty sure this never happened to Bogie.

I’ve reviewed the file given to me by my mysterious green/blue eyed client. My instructions are clear: follow him. Report back via phone or internet each day. Describe exactly who he is with and what he does.

“You want to tell me why you want to know, toots?” I’d asked.

“Stop calling me that,” she’d replied.

“Why’s that, toots?” I asked. I could tell she enjoyed the banter on a level she wanted to keep private.

“I don’t like it,” she said, coyly.

“Whatever you say, toots.”

She’d rolled her eyes at that. Pretty eyes, I noticed.

“Who is this man, toots?” I inquired.

“I’d rather not say,” she replied.

“Why do you want him followed, toots?” I inquired.

“Look. I really don’t like that name,” she said. “I know you think it’s cute—“

“Nah,” I said, exuding with boyish charm like a junkyard dog exudes mean. “I just call them like I see them.”

She waited and I waited. Then I added “Toots.”

She shook her head and opened her mouth. I think she was about to say something soft and tender – but chose not to give in too easily and drew her lips together in a tight pale line…not a good look on her.

“I’d rather not tell you anything about him,” she said finally. The words were like ice. Playing hard to get, eh? I thought. “I don’t want to prejudice your opinion.”

I sighed wearily, like this was an everyday occurrence.

“I’m a pro,” I said. “That’s why you hired me.”

“No. I hired you because you were the first private eye I saw,” she said.

Still playing coy, I thought. Okay. Two can play at that game. I opened my mouth to ask another question but she held up her hand.

“I have a dossier for you,” she said, passing me a sealed eight by ten envelope. You’ll see a picture of the man I want you to follow. I’ll need daily reports. Sometimes two a day. We…I want to know where he is, who he’s with, what he does. I do know that right now he is booked onto a cruise crossing the Atlantic Ocean, with stops in Bermuda, Ireland, Scotland and England.”

“I’m not sure I have the time available,” I started, thinking that two can play the ‘coy’ game.

She was glaring at me openly now.

“Fine,” she said in a voice that sounded as cold as an accountant’s Christmas card. She took the dossier away and thrust it into her briefcase. The check and the cruise line ticket followed.

All of which goes to explain how I wound up here in Fort Lauderdale, a shamus in a trench coat, shadowing a guy in a track suit.

He was not as old as the other people in the room. But he was old At least 40. He got up from his table, wiped his mouth with a napkin and headed for the door. Pulling my hat down over my eyes, I followed him into the night.

As I stepped through the door my head caved in and the pavement came up and smacked me hard in the face. All the lights went completely and resolutely out.

New Ways to Present Travel Images

I have been trying to come up with a new way to present travel photos. I really hate the old "Aunt Hazel and I went on a tour through the potato fields of Idaho and only took 6,345 pictures. Here they are in no particular order."

The last trip, Sheree and I took through the Amazon -- I blogged every single day. This trip I want to try something different. So here it is: a travel story featuring one photo a day. The only rule: the images all have to be taken on this trip.

So here goes nothing. I present a new project called "Danger is Not My Middle Name."

I’m the guy you bring your secrets to. Dirty secrets and family secrets. The kind of secrets you only whisper to a lover when the lights are out. Secrets are my business.

My name is Samuel D. Diamond. I tell pretty girls that the “D” stands for ‘Danger.’ But it really stands for “Delbert” – which is why I only use the initial. My first name isn’t really Sam either…and my last name is something you couldn’t even pronounce which is why I changed it to “Diamond.”

I’m a private dick – and save the clever comments. I‘ve heard them all.

My office is in New Orleans, a single sweltering box above Ray’s Boom Boom Room on Frenchman Street. The rent’s cheap here because when Ray has a band on, the “boom boom” sounds make it impossible to hear. Ray’s a friend of mine. Even though he doesn’t know it. I paid him his first months rent a couple of weeks ago and I’ve been here ever since...guarding the secrets of anyone who will pay me…even though no one has actually hired me yet.

But when she walked into my office, I could see secrets written all over her. She was sleek like a panther is sleek with blue eyes that invited the unwary to enter them and disappear forever. I could already feel my heart doing a slow fade. So I made a point of looking away with an air of affected disinterest. Make her wait for it, I thought cunningly.

“You must be Mr. Diamond,” she said in a voice that begged for more conversation, just so you could hear it. Just so you could be warmed by it in places better left unmentioned.

I didn’t answer. I just flipped my fedora back so she could get a gander at my eyes. I was Bogie. She was Lauren. She hid her flush of desire well. To a casual bystander, it would have appeared as though she didn’t feel the heat at all. But like I say, she wanted me. I’m pretty sure. .

I fixed her with my number ten grin – which usually causes hearts to melt and underwear to fire through the air…sometimes even someone else’s. But she simply looked back at me with those glittering green eyes.

“You must be Mr. Diamond?” she asked again. She pretended to inject a little irritation onto the question. Coquettish little thing, I thought.

“I am,” I said, keeping my voice several octaves lower than ordinary. I tend to squeak when I am get hot and bothered, which doesn’t fit at all well with the “Danger is my middle name” image. Neither does the fact that I am a recent graduate of the Ray Hunker Correspondence School of Detection of Des Moines – which is why I keep my framed diploma (which was a ten dollar option but I figured what the hell…) in the desk drawer.

Being a dick is still much better than my old job as the assistant to the assistant security director at Cavalcade of Value Shopping Mall in Seligman, Arizona.

“I need your help, Mr. Diamond,” she said.

“Help is my middle name,” I quipped cleverly.

Confusion flickered across her face. Then she shook her head, as though to clear away the cobwebs.

“The job I need you to do is dangerous.” Her eyes flickered over mine and I was glad I was sitting down. “I want you to follow a man. He’s going on a cruise out of Fort Lauderdale. You’ll have to go to Europe, I’m afraid.”

A single tear spilled out of her eye and rolled down that delicious apple cheek.

“Will you help me, Mr. Diamond? Please?”

It’s not often a pretty girl will even talk to me, let alone say “please.” (There was Ingrid Johanssen from my Dungeons and Dragons game several years ago. She asked me once to “Please pass her the attack dice” just before she kicked my butt back into the seventh ring of Argamoth. But she looked like the seventh level cave troll she was playing and I don’t think she ever liked me much anyway.)

Why was I thinking of Ingrid? I smacked myself in the forehead for being so goofy and when my vision cleared, I saw that look of confusion on her face again.

She had placed a cashier’s check on my desk. There were a lot of zeros there…and a ticket for a cruise.

“You bet, toots,” I growled. “Danger is my middle name.”

Marrying Words to Images

I am getting very interested in the marriage of words and images. Some mediums, like flickr, allow you to take as long as you like to discuss your image. Some people do it with poetry. Some explain the settings of their cameras. Some write stories.

The image to the left was taken at church this past weekend. Kids were doing a "God Rods" presentation -- which involves dance and performance using thin wooden sticks.

They danced to this heart-rending song called "Arise, My Love." It's about God, gently telling Jesus to come back after the crucifixion. I was really weeping at the end of the presentation. (Hey...real men cry, y'know.) I wanted to be able to present something of what I felt using the image and a narrative. So I compensated for the truly horrific white balance in the church and set my shutter speed very slow to capture the motion of the praise the kids were giving. I used Alien Skin's Bokeh to blur the edges and placed the main "character" directly into the upper left Dynamic Point on the Rule of Thirds.

Then I wrote what is below to accent the image:

“So he’s like ‘I’m going to Jerusalem and I am gonna ride through the streets on this way cool donkey, man.’

And I’m all “Cool, dude.”

Then he looks at me and he’s all “But it’s like totally bogus. They are all gonna be waving palm branches and stuff…but in the end they are gonna nail me up on a cross.”

And I’m all “Yeah, whatEVER, dude.”

And he’s all serious like “No. I mean it, dude.”

And I’m like all serious too because he’s like the Absolute Cool Chill Dude, telling people to be nice to each other and love God and stuff.

But he’s all of a sudden looking at me like I am totally stupid.

So I look back at him and I’m like all “Really? Like they are really gonna crucify you, dude?”
And he smiles, sort of sad-like and just nods his head.

I’m all “DUDE! If they are gonna do that to you, like DON’T GO!”

And he just keeps smiling and I’m getting all upset and stuff because I think he’s like talking straight and I’m crying and I’m hoping he’s wrong but this dude is like NEVER wrong.

He’s quiet like and when he’s quiet it’s like he’s all about me figuring it out for myself and whatnot. (Which is something I find like TOTALLY irritating most of the time.)

But I can’t like, you know, figure it out and I’m all “Are you nuts, dude? It's a freaking no-brainer. If they are gonna kill you and you know it...DON’T GO!”

He gives me this kind of hug and I’m like totally fried by now and he holds me close and I like (and don’t take this the wrong way, dude) but I like don’t want to let him go because he’s the Total Cool and he looks all of a sudden kinda small in front of all those other people and I sort of want to keep him safe.

And I’m thinking like “Whoa dude…those big hat guys really hate you. I mean they HATE YOU.” And as I am like thinking that, he looks even smaller and he’s never really looked small to me before and I have been hanging with him for like three years now.

So I hug him tighter because I am like “Someone really needs be totally tender to him right now.” And that like kind of breaks my heart some more.

After a while he lets me go and touches my cheek and my heart is all melty and I am crying and I don’t know why and this whole thing like totally sucks.

“Please,” I say. (Now I’m all soft and blubbery.) “Please. Don’t go. We can still get away, dude. Why are you doing this? It’s like totally bogus.”

And he’s all smiling at me and he looks happy which is total and complete whackedness because like the dude is gonna seriously die. And he freaking KNOWS it.

He says “I am doing this because I love YOU…and because I have to.”

So I go "DUDE! You don't have to like do this for ME."

He just smiles all warm at me and walks away. I am thinking that this seriously totally absolutely sucks.

I am standing there like in a total puddle and I think I should like be saying SOMETHING. But I can't think of like a THING to say not even something that would sound kind of lame like "I love you" but wouldn't actually be lame because like...well...I do.

I watch him get onto this donkey and I then watch all the people waving palms and yelling and whatnot, like thousands of them, like he’s some military biggie or something. I'm all like "He knows they are going to kill him in just a few days and he's like totally cool with it."

He looks over his shoulder at me and waves goodbye. Then, like, I totally lose it.

The idea here was to create a juxtaposition that would allow me to add the myriad of feelings I was having to the image. I hope you enjoyed it.

Sheree and I are headed out to the UK with stops in Bermuda, Scotland, England and Ireland in two days. We're in the frenzy of pre-trip bliss.

I am looking forward to wonderful pictures, great people...and a ton of stories to share with you when I get back.

Be well...and Happy Easter to all.

A Soft Goodbye...

This morning I stood alone in an empty warehouse and my heart broke just a little.

We, Sheree and I, started our special events company in 1983. The province was in the midst of a recession in the oil patch. Many people thought we were nuts offering a luxury product at a time when most companies were cutting back. But we didn’t know how to spell “impossible,” and so we forged ahead, leaving our secure jobs as radio reporters to start our little company.

In 1983, when we opened our doors, the Police were on the charts with “Every Breath You Take.” Hardly anyone had even heard of the internet and I knew everything worth knowing because I was 25. Sheree and I envisioned an office building perched on some prime real estate with a statue of a unicorn in the courtyard.

That was thousands – literally thousands – of shows ago. We did murder mystery weekends and ran the first murder mystery clubs in four locations over Alberta. We did game shows and medieval feasts and children’s theater. We were courted by Edmonton’s elite. We did casinos and conventions and corporate events. Hundreds of creative people (actors, writers and set designers) have passed through our lives – sometimes reappearing and sometimes sliding off into the abyss of the world, never to be heard from again.

Show business isn’t all that glamorous. Not when you boil it down its essence of the nuts and bolts of details. The audience sees the show. They don’t see the hours of planning and casting, driving and packing, setting up and taking down. They don’t see the late nights or hear the conversations in the van after the show on a long starlit road trip. They don’t know that a cast of performers is always an outsider and that winning the audience over becomes a dance you do over and over again.

The audience doesn’t know that sometimes casts that go out to event after event become tighter than family – and that other casts break apart like a glass ornament on concrete because there is nothing at all holding them together. The great performer’s secret? The audience holds the ultimate power. They can make the performer’s spirit sing with a standing ovation or break you into a thousand pieces that require hasty re-assembly before the next show.

They don’t know that sometimes, after a grueling Christmas season – or a convention where everything has to be PERFECT, that we go into a state that is way beyond tired and is impossible to define other than to say that our spirits ache and throb with complete emptiness because there is absolutely nothing left to give. The stress does damage that requires a literal healing. I guess you’ll either understand that…or you won’t.

So after all these years, Sheree and I decided to cut back on the scope of what we did at our little company. We shut our office, cleared out our warehouse and re-opened in a much smaller place. We kiss high rent, property taxes, soaring insurance bills and killer utility costs goodbye.

We want to travel more. Photograph more. Spend more time together…because who knows when will be the Last Time with the Precious Other?

Still…

As I stood in that empty warehouse, listening to echoes of 15+ frantic Christmas seasons and hearing whispers from the hundreds of people who crossed our paths – I felt my heart break just a little.

Sheree, in typical Sheree fashion, capped our time in our suddenly empty office/warehouse by shooting a stunning image. It seemed fitting somehow that she would end our time here this way, with something creative, sparkly, intelligent and beautiful. (I simply can’t look at it without a lump of an indefinable “something” forming in my throat.) It appears at the top of this blog with her permission. Wonderful, huh?

I just watched her work, very much unable to speak because I had no idea at all what to say. So there I stood with my hands in my pockets, fighting a nasty cold, trying hard to keep out of her way, but wanting so much to be close to her.

“It is just a building,” I tell myself. “It isn’t who you are. It’s just a place where you’ve spent a lot of time.”

Still…

It feels a little bit like a death. And, truth be told, a little like a betrayal, although I would be hard pressed to express who or what I have betrayed. It is a building…only a building. The future looks bright and intensely foggy at the same time.

We’re booked for lots of events right now. We have money in the bank. But what does the future hold?

When I thought about how I would visually portray this mish-mash of feelings right now – I thought of an image I took on Coney Island in New York some years ago.

It is one of my favorites – and I took it on the fly. It spoke immediately to my heart and it whispers softly to me now. There is the aspect of walking away; of being alone and not alone at the same time. I love that the man is old – and still wants to go out on the beach by himself to have a look around.

I hope that will be me: always wanting to have a look…always open to seeing something beautiful and hopefully seeing something remarkable.

And that is what I think about, standing in an empty warehouse, with a heart that is breaking just a little.

Undead Bloodsucking Orchids from Outer Space

My wife looked at me and asked me if I wanted to go with her to an orchid show.

"Do I want to?" I asked.

Sheree (my much better half) sighed and waited patiently. A hundred excuses came to mind, but when I looked into those clear blue eyes, I realized that an orchid show with her would be much better than sitting at home. So I went.

I hated it.

I don't like flowers and I have seem SO many freaking flower shots on flickr that I could cough up a petalball. But I decided to make the most of it. I took out my camera, sucked on my teeth (a thing I do when I am asking myself what the hell I am doing where ever I happen to be while I am sucking my teeth) and looked around for something that poked the creative muse.

Nothing.

I decided to settle for something...anything...even distantly interesting.

Nothing.

So I sighed and started shooting.

I didn't even cut the images off my card for three weeks. When I did, it was to get at some other pictures I had taken that I WANTED to work on.

Then one afternoon, I started poking at the stupid flower pictures. Have you ever done that? No idea what you were going to create...just...well poking at the things. I took a LOT of orchid images that night. I started thinking about orchids. I started thinking in terms of opposites.

How about vampire orchids? Hmmm...the idea made me smile.

I have been having a wonderful time ever since then playing with these pictures.

The one at the top of the blog is a composite, built inside Photoshop, and was built almost entirely out of plug-ins. The planet is done with Flaming Pear's Lunar Cell, the stem is a photo I took of a flower my wife had hanging around the house. Linking it to the planet is a simple star.

The motion was added using Alien Skin's Motion Trail. The only actual photo is of the orchid. The entire process took me about thirty minutes.

This one was even faster: I shot a close up of one of the fricking orchids and turned it upside down. The trail of dust was done FINALLY using Alien Skin's Fairy Dust plug-in from one of the all time BEST plug-in sets: Mystical Lighting. (This one is difficult to use...but well worth the investment of time.)

I am currently doing a series on my flickr site featuring these images, coupled with shots we took on the trip to Brazil. It's written as a Sherlock Holmes story with a twist toward the absurd. Here's the link if you want to know more: http://www.flickr.com/photos/41659872@N00/

So what's the point of this blog?

Three things, I think.

1) There's always something to photograph, even in places that otherwise really suck.

2) Plug-ins can do very cool stuff very quickly. It doesn't negate the skill of the user. I am all in favor of plug-ins...as long as I can get the exact effect I am looking for. It's true that sometimes you need to spend as much time learning plug-is as you did learning some aspects of Photoshop.

3) You can get wonderful results if you try HARD to look at something from a completely new viewpoint.

I really appreciate the emails, folks. Don't sweat it, okay? Sheree and I are about two weeks away from the next trip (this one goes to England, Ireland and many places in-between) and we are in the process of moving our company from one place to another.

We're very busy.

But I still think about all you folks. Often.

Bad Ideas and How to Avoid Them

The other day my wife, who ordinarily gives jaw-dropping gifts, gave me a new toothbrush. It was a battery powered jobbie that does the heavy tooth stroking for me. Not only did it clean my teeth with a minimum of effort from me, but it also played the classic Queen hit "We Will Rock You."

It's a clever idea. Each time I bend the toothbrush against my teeth Freddie Mercury starts singing. In my mouth. And since my mouth is usually closed while brushing (to minimize dripping white crap all over my shirt) it sort of sounds like he's singing from a great distance. The words are muffled and there's just this boom boom BOOM rhythm in my mouth.

I am sure some genius somewhere in the vast toothbrush industry rushed breathlessly into a bigger Someone's office with this idea: people could brush their teeth and listen to music at the same time. (I can only assume said genius has never heard of a radio or an iPod.)

It's a cool idea that turned tragically stupid in execution.

There are a lot of things like this. Not far from where I live, the desperate Allies in World War II launched Operation Habukkuk -- an idea to build battleship firepower into iceburgs. This turned out to be a disaster because they forgot that iceburgs melt and there wasn't a lot of combat activity where the polar bears live.

For years the US government was working in a plan for "Dehydrated Water." Think about it.

Why am I talking about Bad Ideas?

We all get them.

Think about the last Great Graphic you were working on. If you are like me (and who isn't?) you spent several hours chopping and selecting, re-coloring and filtering what was essentially a piece of crap to start with -- all the while trying to convince yourself it was, in fact, under all that drool -- an amazing graphic.

Nah. Remember the David's Ten Rules of Photoshop created here in this very blog? One of them is "Thou shalt not attempt to pass off thy poop as art for yea verily, poop is poop."

Here are Five Tips for Avoiding Wasting Effort on a Bad Idea:

1) HAPPY ACCIDENTS are rare. This is why they are called "accidents." We're talking about trying to do something, when something else happens and it's way cooler than your original idea. They happen, of course...but don't depend on them. You'll know with half a second if this works or not. Don't waste your time trying to talk yourself into the notion that it's good when it's poop.

2) HAVE AN IDEA BEFORE YOU START. Every good image has an idea behind it. They are good ideas because the creator and the graphic hold hands and become greater than the sum of their parts. You should have some plan for where you are going. Try doodling on paper, rough out the image and jot down some ideas that might work.

3) THINK ABOUT IT. We are often in situations where the clients or deadlines are hanging over us...or we're putting pressure on ourselves to produce "something." We tell ourselves that as long as we are actively working, this is a good thing. Not true. Take some time to THINK.

If you launch into a visual without clear vision, you are going to get poop.

4) FOLLOW THE TRAIL. Almost without exception, the good stuff I have done is a direct result of getting excited about a GOOD idea and refining it. Photoshop lets you work on multiple layers so if you mess something up, you can delete the layer and try again without ruining your whole image. Like a detective following clues, you need to follow the trail of processes that lead to a finished graphic.

5) GET EXCITED WHILE YOU WORK! Bland people turn out bland stuff , otherwise known as "poop." Excited people create new trails and new ideas. Having been both, excited is MUCH better than bland. Trust me.

You may be wondering why there is a ship's prow at the top of this blog. That ship took us down the Amazon River. And I remember thinking that this ship could take us anywhere. We could see ANYTHING. We were on a journey. In the graphic, I'm not showing any of the surrounding countryside. The journey is the thing.

Jump onto the boat, steer around the bad ideas and set a course for the Cool Stuff.

In the immortal words of one of my childhood heroes, Stan Lee, "Nuff Said."